Artist: Simone
Genre(s):
Other
Latin
Discography:
Sesso Gioia Rock N' Roll
Year: 2006
Tracks: 13
Il Mondo Che Non C'e'
Year: 2004
Tracks: 3
Giorni
Year: 2004
Tracks: 10
25 de Dezembro
Year: 2000
Tracks: 10
Raio De Luz
Year:
Tracks: 10
Having had a promising beginning as ane of the big voices of MPB, Simone has recorded more than than 31 albums, more and more abandoning the more militant repertory of compositions by João Bosco/ldir Blanc, Geraldo Vandré, Chico Buarque, and John Milton Nascimento in favour of mainstream romantic songs, with which she has enjoyed external success.
Daughter of an opera singer and a distaff piano player, Simone stirred to São Paulo at 16, pursuing a calling as a basketball participant (she even was a member of the national team). She recorded her act single LP, Simone, in 1973. She was invited by HermÃnio Bello de Carvalho to do in Bruxelles, Belgium, and Capital of France, French Republic, and recorded the live albums Simone et Roberto Ribeiro Avec João de Aquino à Brussels and Expo-Som 73 - Ao Vivo - Márcia, Leny Andrade, Simone, e Ary Vilela. Next came a spell through the U.S. and Canada. With João de Aquino, recording the know record album Festabrasil - Simone e João de Aquino. The second LP came in 1975, Quatro Paredes, having hits with songs by João Bosco/Aldir Blanc. The first class honours degree large tuner hits were "Jura Secreta" (Sueli Costa/Abel Sylva) and "Facial expression a Cheek" (Sueli Costa/Cacaso). In 1976, she recorded "O Que Será" (Harpo Buarque), which was the thought of Cacá Diegues's photographic film Dona Flor e Seus Dois Maridos. She had "Cigarra" (of the homonymous LP, of 1978) written especially for her by Milton Nascimento/Fernando Brant goose. In 1979, she had her greatest hit with "Começar de Novo" (Ivan Lins/Vitor Martins), which was included in the Malu Mulher TV Globo serial publication. The song was included in the Pedaços LP, which also had "Tô Voltando" (MaurÃcio Tapajós/Paulo César Pinheiro), a representative song of the catamenia of the destruction of the military regimen and of the advent of political pardon. In 1980, she re-recorded just about other political strain, the pacificist hymn "Pra Não Dizer Que Não Falei Coney Flores" (Geraldo Vandré). She was the first class honours level artist to do so, as the stress had been censored until then. She was the 1st-class mail honours degree degree vocalizer to pack a arena (Maracanãzinho) in 1981. In 1982, she brought 15,000 people for each one night to the Morumbi sports stadium (São Paulo). Simone was hired by the American CBS, recorded in the U.S, in the saame year, being praised by critics. In that geological period, marked by brobdingnagian success, she had hits with "Alma" (Sueli Costa/Abel Silva), "Tô Que Tô" (Kleiton/Kledir), "Um Desejo Só Não Basta" (Francisco Casaverde/Fausto Nilo), "Você é Real," and "Iolanda" (Pablo Milanéz/Chico Buarque). She released Café Com Leite in 1996; the CD was dedicated to Martinho da Vila's compositions, with the author communion the data track "Ex-Amor" with her.
Simone has continued to do regularly in Brazil, Portuguese Republic, and the U.S. In 1997, she was included in the Sony Music Celebridades da MPB (MPB Celebrities) series (sharing the privilege with Ângela Mare, SÃlvio Caldas, and Cauby Peixoto, with a four-CD box commemorative 25 days of her life history (one year in generate on). In 2000, she released FICA Comigo Esta Noite, with classics of the Brazilian amatory samba-canção repertory.
